Everyone seems to know about the Czech Stop, a quaint little storefront just on the outskirts of West.
Cherami Leigh stars as Anne Wells in Beyond the Farthest Star , an inspirational film with Christian themes. The 2013 film is scheduled for a single screening at 7:30 p.m. Aug. 20 at the Cinemark Denton, 2825 Wind River Lane. The screening is contingent on the reservation of at least 76 tickets. To see the film — which is said to have inspired one of the last sketches Thomas Kinkade (“The Painter of Light”) produced before his sudden death in 2012 — reserve a $10 ticket by visiting http://gathr.us/screening/12628. The film is about the reconciliation between a teenage girl, Anne, and her pastor father. Rated PG-13, 113 minutes.
LOS ANGELES — If you live in the United States, you probably don’t know Omar Sy by name. But chances are, you’ve seen him.
Fear the man with “FEAR NO MAN” tattooed across his back. This is the nerve-jangling tattoo inked into Billy Hope’s skin, and it’s exactly how he fights in the ring. He’s a hungry pit bull who feeds off getting the pulp beat out of him before landing his final blow for a knockout victory.
Cinemark Denton continues its summer movie clubhouse — a series of daytime second-run family movies especially for young audiences. Tickets to each screening cost $1 per person. At 9:30 a.m. today, the cinema at Denton’s Unicorn Lake will roll the 2011 animated feature, Alvin & the Chipmunks: Chipwrecked . Alvin, Simon and Theodore set sail on a ocean cruise with their faithful human friend, Dave. But they accidentally go overboard and are marooned on a tropical island. Somehow, R&B pop music (Destiny’s Child, Willow Smith and Lady Gaga) reinterpreted in the helium-voiced medium of the chipmunks makes the predicament better. Rated G, 87 minutes. Up on July 29-30: Diary of a Wimpy Kid: Dog Days .
The Cohen Film Collection continues its admirable practice of rescuing and releasing, or re-releasing in some cases, overlooked foreign nuggets.
CAIRO — In Lawrence of Arabia, Omar Sharif is first seen in the distance, a speck in the swirling desert sand. As he draws closer, he emerges first as a black figure on a galloping camel, slowly transforming into a handsome, dark-eyed figure with a gap-tooth smile. It wasn’t unlike the Egyptian-born actor’s debut in Hollywood.
For 15 minutes, I stared at a blank page, trying to figure out how to start this review of a documentary on fame, addiction and death. The first thing that came to mind was how we are going to be remembered when we die. More specifically, how celebrities are remembered after death. When I think of Robin Williams, I don’t think about his devastating end, I think about Hook and the magical memories he gave me when I was a boy. When Philip Seymour Hoffman’s name comes up, I think about his phenomenal job in Paul Thomas Anderson’s Magnolia and, well, every performance he’s ever given.
Semper fidelis. The Romans used to purr the phrase into their dogs’ ears, long before the Marine Corps adopted the Latin for “Always faithful” as their motto. Most faithful of all? Marine Corps war dogs. That’s the message of Max, a touching if somewhat clunky crowd-pleaser about one such dog who comes to live with the family of the soldier who died serving with him in Afghanistan.
There have been a lot of misfortunes in the Jurassic Park franchise. There was the embarrassing sequel The Lost World (by Steven Spielberg himself, no less). Then a forgettable three-quel, followed by years and years of talk about a new film Spielberg would make to redeem for Lost World.
Like the HBO show, Entourage delights in Hollywood excess. This is a world where you might land your helicopter on someone’s lawn to crash a business meeting, or take a little yacht to meet up with your buddy on his bigger yacht. It’s a land of celebrities, wealth and topless women.
Kevin Costner stars as peripatetic track coach Jim White in this inspirational sports movie from Disney.
When natural disaster strikes, call The Rock. There was a time when natural disaster movies tried hard — The Poseidon Adventure (1972), When Worlds Collide (1953), The Towering Inferno (1974) — and then Michael Bay ruined everything with that damn silly animal cracker scene in Armageddon.
The silences in Mad Max: Fury Road are unsettling. The moments are few and infrequent, but it’s not until the fiery roar of the engines and the thrashing of the guitars are suddenly stripped away that you can fully feel how deeply the film has flooded your being. The theater — and your heart — pulsates with the lack as you recover and wait for more.